Category Archives: Music

Omo Valley

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Ethiopia’s Southern Nations, Nationalities, and Peoples’ Region along with the area around Lake Turkana in northern Kenya is one of the candidates for being the cradle of humankind, as some major discoveries that have been made here suggest. Since it is also a region with an incredible diversity in tribal cultures, it has been referred to as a (live) museum of human cultures. I found traveling here truly exciting, though not free from major challenges. I don’t mean the usual challenges of logistics, food and health or such like, even though they are more pronounced here. Rather, traveling here has exposed me to significant questions concerning the role of tourism, and tourist-tribe members interaction in a region where ritual infanticide and the ritual whipping of women is practiced. I have written about this in a separate post. So here’s a first glance only.

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Zambia, once again

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After some hiccups at Chirundu border, where two Zimbabwean officers were having themselves a time threatening Chimz because (unbeknownst to us) she had overstayed her visa, we made it to Siavonga, and to Herman the German’s Sandy Beach Lodge. You may have read about it before, and this time Thomas’ house was almost completely finished, and we could stay there for a few days.

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Root Music Concert @ Nirox Sculpture Park – Cradle of Humankind

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Imagine a huge, beautiful garden, with lakes, amidst low rolling hills and some higher and rockier mountains lining the horizon – welcome to the Cradle of Humankind! Many of the earliest superlative superlative human fossils have been found here, and what a better place than this to create Nirox Sculpture Park along with a residence for artists. Well, you’d have to open it for concerts and mini-festivals, and they did for the Root Music Concert this past Sunday …

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Fête de la musique 2018, Jo’burg

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It must have been in 2007 when I first heard of the Fête de la musique, in my then hometown Greifswald. Since it traditionally takes place on 21 June, this is the longest day in the northern hemisphere – quite noticeably so down north in Greifswald. Now in Johannesburg things are different. For one, the FdlM was on 9 June, and of course here days are a bit shorter now, and especially the nights are chillingly cold. After all, we’re 1.700 m above sea level. Thus it makes a lot of sense to have the FdlM during the day, ending rather early at around 9 pm or so (we didn’t stay that long). Newtown Junction, the venue is quite a good choice with a layout that allows for 6 stages and is in a safe area of town. Although the line-up may have lacked big big names, there were some really interesting acts among the performances. My choice of pics gives you an idea.

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Bushfire 2018

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I admit, I have Romantic ideas about “Africa”. They lean towards pan-Africanism, and as my friend Vuyi put it, they may also sound like I want to take Africans back to the bush. True. My Wakanda has no need for a fast train! So, as long as I can have an experienced ranger by my side, you’d find me at the front of that bush-trekker movement. Having said that, I’m well aware of my Romanticism, and as much as I am sometimes frustrated by what I consider a Westernization of African cultures, I own my frustration and accept (and do enjoy, yes) 21st-century African realities. The MTN Bushfire Festival in eSwatini is part of this reality. If my previous experiences of festivals in Africa, especially at Sauti za Busara (Zanzibar), but also at Lake of Stars (Malawi) fed into my Romantic views of “Africa”, Bushfire was rather sobering – pun intended … 

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Chiwoniso

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24 July this year sees the fifth anniversary of the passing of Chiwoniso Maraire, one of the world’s greatest musical talents, and revered as the Queen of Mbira in Zimbabwe and elsewhere. Born 5 March 1976, Chi died in 2013, aged only 37, the same age as Alberta, my ex-wife, at that time. I mention this because they were school-mates in Mutare for a while. My introduction to Shona culture and music owes much to her, and I added considerable efforts myself, reading and doing research, to the point of learning to play songs by Oliver Mtukudzi and, of course, Chiwoniso. I explored Zimbabwean music more and more, and Chi has since become a musical icon for me. Her music speaks to me more than many others. It is a sorrowful case of historical irony that I didn’t know her when she appeared at the Würzburg Afrikafestival in 2011. Some of my favourite live recordings were taken there. 
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Music in South Africa

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South Africa is incredibly rich in music, traditional as well as modern, pop, classic and a lot of jazz. So please don’t expect me to offer a comprehensive coverage! What follows is completely based on my taste, with a few extras here and there. Some of the things I skip are incredibly important to people here, for instance gospel music. It fills hours on various tv channels. It’s just not really for me. You won’t find South African hip hop, punk and rock music here either, nor the Boyoyo Boys (perhaps to the dismay of a good friend) and similar music – I’m aware of them, but can’t truly count them as part of my musical experience. However, you’ll find some kwaito, maskanda, jazz and other styles for which the international music market has labels that don’t get more specific than “world”, “international” or “ethnic”. For the varieties of music in South Africa and their history, see this Wikipedia article, or check some blogs such as this one or this one on music in Soweto and Jo’burg. UPDATE: and see my posts on the Bushfire Festival in Swaziland and on the Fête de la musique in Jo’burg.

B.C.U.C. live in Soweto

Berita live at Constitution Hill

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R.I.P. Mama Winnie

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Now her, after Bra Willie and Bra Hugh the third South African icon to die while I am here. I am not in the position to write much about “Mama Winnie”, the Mother of the Nation, as Winnie Madikizela-Mandela is emphatically referred to. Her death has laid open the rifts that run through South African society – historical, racial, social, gender-related. Even in death, one might say, she polarizes, and thus her impressive legacy was not only praised but also denounced immediately after her passing, which is not just an act of highest indecency, it also echoes the rather tragic fate of a woman who found herself overshadowed by an iconic husband, belittled and vilified.

Yet her name and legacy will forever be remembered in every shouting of “Amandla – Ngawethu”, repeated a thousandfold over the two weeks after her passing, just like the thousands of “Long live!”, and most inspiringly in “She has not died, she multiplied”.

Berita

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Sauti za Busara 2018

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I finally made it! After a number of years during which I considered going, now Zanzibar was just around the corner – relatively speaking. It’s three-and-a-half hours flight to Dar es-Salaam, then two hours ferry, plus the odd transfer to airports and so on. Still, it was my big opportunity, and quite in line with the past few months during which music had been a dominating theme: Sauti za Busara, “Sounds of Wisdom” – African music under African skies!

And whatever effort it took, it was well worth it. Sauti za Busara is perhaps the best festival on this continent (“African music under African skies!”). It certainly beats Lake of Stars (Malawi) in its choice of more traditional music, or music which makes more use of traditional elements. And it focuses on East Africa. Or as one website puts it, Sauti celebrates Africa’s DNA. Let me illustrate this.

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Bra Willie & Bra Hugh

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Since my arrival, two of South Africa’s greats have left us – first South African poet laureate Keorapetse William Kgositsile, or “Bra Willie” (d. 3 January), and now the father of African jazz and ambassador of African culture, Hugh Masekela, “Bra Hugh” (d. 23 January). Both were fighters for African freedom, which for both of them meant many years of exile from the South Africa under the Apartheid regime. Their view of African freedom was not only that of politics, it goes deeper, and targets what Frantz Fannon had called the “white masks” in black skin. Needless to mention, the arts, music, all of cultural heritage were, and shall I say, are vital (pun intended) in their fight. Continue reading →