Rocks are patient. They happily bear inscriptions of all kinds, and stoically accept whatever tale human imagination imposes on them. Or break, but that usually happens only a loooooong looooong time after an engraving has been made. Engravings may wither away, and the rock palimpsest becomes open to reinterpretation …
Now her, after Bra Willie and Bra Hugh the third South African icon to die while I am here. I am not in the position to write much about “Mama Winnie”, the Mother of the Nation, as Winnie Madikizela-Mandela is emphatically referred to. Her death has laid open the rifts that run through South African society – historical, racial, social, gender-related. Even in death, one might say, she polarizes, and thus her impressive legacy was not only praised but also denounced immediately after her passing, which is not just an act of highest indecency, it also echoes the rather tragic fate of a woman who found herself overshadowed by an iconic husband, belittled and vilified.
Yet her name and legacy will forever be remembered in every shouting of “Amandla – Ngawethu”, repeated a thousandfold over the two weeks after her passing, just like the thousands of “Long live!”, and most inspiringly in “She has not died, she multiplied”.
Berita
Since my arrival, two of South Africa’s greats have left us – first South African poet laureate Keorapetse William Kgositsile, or “Bra Willie” (d. 3 January), and now the father of African jazz and ambassador of African culture, Hugh Masekela, “Bra Hugh” (d. 23 January). Both were fighters for African freedom, which for both of them meant many years of exile from the South Africa under the Apartheid regime. Their view of African freedom was not only that of politics, it goes deeper, and targets what Frantz Fannon had called the “white masks” in black skin. Needless to mention, the arts, music, all of cultural heritage were, and shall I say, are vital (pun intended) in their fight.
Continue reading
The last weekend offered two very different encounters with homosexuality, or rather: images of (male) homosexuality here in South Africa.
The first was during a brief meeting with artist Ayanda Mabulu in his studio at Victoria Yards. Ayanda was busy working on a new painting, but he had a few moments and shared his visions on how we should help change views of women in society (or so I recall). A nice guy, and good to talk to.
Ayanda in conversation with Chimz
[There is an explicit image coming up as you scroll down. I’ve warned you.]
The following text is partly in response to friends or anyone really who is rightfully upset and hurt by ongoing racism in the world. My fear is that this pain makes it more and more difficult for us to engage openly, and to challenge ourselves and our prejudice, or if you like: myself and my prejudices. I sense that a lot of people on the receiving end of racism are fed up with finding themselves in a position where they are asked to explain or end racism or are asked to forgive, more so than those who commit acts of racism, directly or indirectly, are willing to do the work to overcome it, or even look at potential racist behaviour, or to admit to their position of privilege.
It’s become longer than I thought, and I believe what truth there is in it is personal, thus not necessarily The capital-T Truth.
I’ve updated my blog, and filled in text where there were galleries only. The following older posts have been updated:
Uganda – Gallery #2: Gulu to Mbale – mountains, waterfalls, rainforest and rock art
Everywhere I have travelled in Sub-Saharan Africa, the picture is the same: women busy themselves, day in, day out, to do most of the work, chores and otherwise. I may exaggerate, though honestly, I don’t think I do when I say that Africa is run by women, especially in those fields that are run efficiently. This, obviously, excludes politics and a lot of admin. There you have it, I’m happy to stand accused of exaggeration and over-generalization, because I want to make a point. I do not care much for explanations that include the word “culturally”, I just share observations. Cultural practice, in my view, is a choice, and no explanation or excuse for anything.
Rachel, house help at Redrocks Camp (Nyakinama near Musanze aka Ruhengeri, Rwanda)
The biggest surprise so far! But slowly … Coming in from Kabale in southern Uganda, already the border police gave me the sense of correctness that would prevail through the rest of my stay in Rwanda. Driving at 60km/h, the maximum speed in the country, and for once on the right side of the road again, our bus arrived towards evening at Kigali’s Nyabugogo bus station. Since my request to be picked up had apparently not been heard, I was left at the hustle and bustle of a big African bus station, where many a dodgy looking guy is seeking his fortune from a rather clueless mzungu. It was easy enough for me though to shake most of them off quite quickly, except for one who clung to my heels as I tried to negotiate the buses, taxis and touts at the various bus stops. Helped by a guy from an internet café, I took a cab and off we went towards Murugo hostel. On the way there, I was surprised by boda-boda drivers who were actually wearing a helmet, and indeed had a helmet for passengers as well (and would insist you wear it, as I later learnt)! And almost miraculously, coming from Uganda at least, there were lots of traffic lights, on major roads with countdowns for the green light, and on major roads the corners were equipped with LEDs on the curb. Just wow! Still, the layout of the town is rather difficult, even for a local taxi driver, since most roads are numbered, and the best thing to do is to know a landmark building nearby. I later learnt that the one relevant for my hostel was the Ministry of Agriculture, though no boda-boda (here called “moto”) or taxi driver knew it by this name, nor by its French version, but only as Minagri. The habit of abbreviating words may have been inherited from the French, though that language has been largely abandoned in official contexts in 2007, and relationships with France are complicated, to put it mildly.
Kigali
Let me start by stating my conviction that as human beings we are all the same in as much as we share the same basics needs. I even believe that a conscious recognition of this fact could help solve our most urgent issues, political, economic and otherwise, on an inter-personal level. African ways of putting this: umuntu ngumuntu ngabantu, Zulu for ‘a person is a person through other persons’, which is at the heart of the idea of ubuntu, in slightly different terms also present in Martin Buber’s I and Thou. A version more reflexive of the previous colonial situation is the Shona saying murungu munhuwo – ‘a white person (usually mzungu in East Africa) is a human too’. And yet as part of our existence, which is deeply shaped and coloured by our very personal experiences, we may easily forget about this and start setting our individual experience as “norm”, and thus create a default world view that construes everything beyond our own experience as “strange” or “other”. Continue reading
You easily remember Oryema once you have seen a recent picture of him: blond dreads, and a hint of a blond tach. Now that’s something you don’t get to see often. I admit I am not a fan, unlike when it comes to his music. A true revelation for me, immediately reminiscent of Ayub Ogada, and thus it didn’t come as a surprise to me when I learnt that the two collaborated on some pieces.
UPDATE: Today, 23 June 2018, I learnt about his passing, aged 65, after a long fight with cancer.
