Omo Valley

Ethiopia’s Southern Nations, Nationalities, and Peoples’ Region along with the area around Lake Turkana in northern Kenya is one of the candidates for being the cradle of humankind, as some major discoveries that have been made here suggest. Since it is also a region with an incredible diversity in tribal cultures, it has been referred to as a (live) museum of human cultures. I found traveling here truly exciting, though not free from major challenges. I don’t mean the usual challenges of logistics, food and health or such like, even though they are more pronounced here. Rather, traveling here has exposed me to significant questions concerning the role of tourism, and tourist-tribe members interaction in a region where ritual infanticide and the ritual whipping of women is practiced. I have written about this in a separate post. So here’s a first glance only.

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Tanga to Diani Beach, Mombasa

My last stop in Tanzania was to be Tanga, some 7 hours by bus from Dar es-Salaam. Getting closer to the equator, I still want to enjoy some tropical beach settings, I therefore decided to skip Mombasa for some of its nearby beaches. Unfortunately, my camera stopped working when I got to Diani Beach, hence there are only some mediocre pics from my smartphone (which doesn’t have a good camera).

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Bagamoyo

Its original name was bwaga moyo ‘lay down/rest your heart’, until German colonial troops invaded the East-African coast, allegedly unable to pronounce it properly. Thus it was distorted to its current form. Bagamoyo stands testimony, albeit in ruins, to centuries of global trade along the Swahili coast, with connections to Mombasa, Mogadishu, the Arabic peninsula, Persia and ultimately to China. 

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Tazara: from Lusaka to Dar es-Salaam

A real treat for the traveller – a train ride with the Tazara, all the way from Kapiri Mposhi near the Copperbelt in central Zambia to Dar es-Salaam on the Indian Ocean. All the way, meaning every single one of the 1,860 kilometres, at an average speed of ca 30 km/h – I’m not kidding you. The time table and hearsay suggest it can be faster, but not in my experience. It’s a two-and-a-half day journey, in a four-berth first-class compartment (2nd class has six, 3rd class is seats only, and it gets really crammed once you’ve reached Mbeya near the Malawian border).

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Chiwoniso

24 July this year sees the fifth anniversary of the passing of Chiwoniso Maraire, one of the world’s greatest musical talents, and revered as the Queen of Mbira in Zimbabwe and elsewhere. Born 5 March 1976, Chi died in 2013, aged only 37, the same age as Alberta, my ex-wife, at that time. I mention this because they were school-mates in Mutare for a while. My introduction to Shona culture and music owes much to her, and I added considerable efforts myself, reading and doing research, to the point of learning to play songs by Oliver Mtukudzi and, of course, Chiwoniso. I explored Zimbabwean music more and more, and Chi has since become a musical icon for me. Her music speaks to me more than many others. It is a sorrowful case of historical irony that I didn’t know her when she appeared at the Würzburg Afrikafestival in 2011. Some of my favourite live recordings were taken there. 
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Music in South Africa

South Africa is incredibly rich in music, traditional as well as modern, pop, classic and a lot of jazz. So please don’t expect me to offer a comprehensive coverage! What follows is completely based on my taste, with a few extras here and there. Some of the things I skip are incredibly important to people here, for instance gospel music. It fills hours on various tv channels. It’s just not really for me. You won’t find South African hip hop, punk and rock music here either, nor the Boyoyo Boys (perhaps to the dismay of a good friend) and similar music – I’m aware of them, but can’t truly count them as part of my musical experience. However, you’ll find some kwaito, maskanda, jazz and other styles for which the international music market has labels that don’t get more specific than “world”, “international” or “ethnic”. For the varieties of music in South Africa and their history, see this Wikipedia article, or check some blogs such as this one or this one on music in Soweto and Jo’burg. UPDATE: and see my posts on the Bushfire Festival in Swaziland and on the Fête de la musique in Jo’burg.

B.C.U.C. live in Soweto

Berita live at Constitution Hill

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Identity on the Rocks: The Voortrekker Monument, the Mpumalanga stone circles and Inzalo ye Langa a.k.a. Adam’s Calendar

Rocks are patient. They happily bear inscriptions of all kinds, and stoically accept whatever tale human imagination imposes on them. Or break, but that usually happens only a loooooong looooong time after an engraving has been made. Engravings may wither away, and the rock palimpsest becomes open to reinterpretation  … 

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Bra Willie & Bra Hugh

Since my arrival, two of South Africa’s greats have left us – first South African poet laureate Keorapetse William Kgositsile, or “Bra Willie” (d. 3 January), and now the father of African jazz and ambassador of African culture, Hugh Masekela, “Bra Hugh” (d. 23 January). Both were fighters for African freedom, which for both of them meant many years of exile from the South Africa under the Apartheid regime. Their view of African freedom was not only that of politics, it goes deeper, and targets what Frantz Fannon had called the “white masks” in black skin. Needless to mention, the arts, music, all of cultural heritage were, and shall I say, are vital (pun intended) in their fight. Continue reading